{"id":7203,"date":"2018-06-15T12:55:59","date_gmt":"2018-06-15T12:55:59","guid":{"rendered":"http:\/\/icom.museum\/?page_id=7203"},"modified":"2025-08-08T12:03:39","modified_gmt":"2025-08-08T10:03:39","slug":"object-id","status":"publish","type":"page","link":"https:\/\/icom.museum\/fr\/ressources\/normes-et-lignes-directrices\/object-id\/","title":{"rendered":"Object ID"},"content":{"rendered":"<h2><strong>Object Identification (Object ID) est une norme de documentation internationalement reconnue, con\u00e7ue pour identifier et enregistrer les biens culturels. <\/strong><\/h2>\n<form name=\"DropDown\"><script language=\"JavaScript\">\nfunction ChangeUrl(formulaire)\n   {\n   if (formulaire.ListeUrl.selectedIndex != 0)\n      {\n     var url ;\n     url = formulaire.ListeUrl.options[formulaire.ListeUrl.selectedIndex].value;\n     window.open(url,'_blank');\n       }\n   }\n<\/script><\/p>\n<\/form>\n<form><select name=\"ListeUrl\" size=\"1\" onchange=\"ChangeUrl(this.form)\"><option selected=\"selected\" value=\"\">-Selectionner votre langue-<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_arabic.pdf\">arabe<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_chinese.pdf\">chinois<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_czech.pdf\">tch\u00e8que<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_dutch.pdf\">n\u00e9erlandais<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_english.pdf\">anglais<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_french.pdf\">fran\u00e7ais<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_german.pdf\">allemand<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_magyarul.pdf\">hongrois<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_italiano.pdf\">italien<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_korean.pdf\">cor\u00e9en<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_norwegian.pdf\">norv\u00e9gien<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_polish.pdf\">polonais<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_portuguese.pdf\">portuguais<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_russian.pdf\">russe<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_slovenian.pdf\">slov\u00e8ne<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_spanish.pdf\">espagnol<\/option><option value=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_ukrainian.pdf\">ukrainien<\/option><\/select><\/form>\n<form name=\"DropDown\">&nbsp;<\/p>\n<p>Cette norme \u00e9tablit une proc\u00e9dure normalis\u00e9e pour documenter et d\u00e9crire les collections d&#8217;objets arch\u00e9ologiques, culturels et artistiques. En facilitant l&#8217;identification de ces objets, une description standardis\u00e9e peut aider \u00e0 leur r\u00e9cup\u00e9ration en cas de perte ou de vol.<\/p>\n<p>Object ID a \u00e9t\u00e9 con\u00e7ue en collaboration avec les mus\u00e9es, les forces de police, les services des douanes, le march\u00e9 de l&#8217;art, le secteur des assurances, et les experts en objets d&#8217;art. Elle permet d&#8217;aider \u00e0 lutter contre le vol d&#8217;objets d&#8217;art en encourageant son utilisation et en rassemblant les organisations du monde entier susceptibles de la mettre en application.<\/p>\n<div class=\"separator\">\n<p>A propos d\u2019Object ID<\/p>\n<\/div>\n<p>En cas de vol, les informations collect\u00e9es et enregistr\u00e9es \u00e0 l\u2019aide de la norme Object ID peuvent facilement alimenter les bases de donn\u00e9es d\u2019objets vol\u00e9s, par exemple, la base de donn\u00e9es d\u2019INTERPOL sur les \u0153uvres d\u2019art vol\u00e9es. Cr\u00e9\u00e9e dans le but d\u2019\u00eatre un outil pratique facilitant la r\u00e9cup\u00e9ration d\u2019objets culturels vol\u00e9s, Object ID est d\u00e9sormais reconnue \u00e0 l\u2019\u00e9chelle mondiale en tant que dispositif n\u00e9cessaire et efficace lors de l\u2019inventaire d\u2019une collection.<\/p>\n<p>La norme Object ID d\u00e9finit neuf cat\u00e9gories d\u2019informations ainsi que quatre \u00e9tapes pour mener \u00e0 bien la proc\u00e9dure. Les cat\u00e9gories sont les suivantes :<\/p>\n<ul>\n<li>type d\u2019objet<\/li>\n<li>mati\u00e8res et techniques<\/li>\n<li>mesures<\/li>\n<li>inscriptions et marques<\/li>\n<li>signes particuliers<\/li>\n<li>titre<\/li>\n<li>sujet<\/li>\n<li>date ou \u00e9poque<\/li>\n<li>fabricant<\/li>\n<\/ul>\n<p>Les quatre \u00e9tapes se divisent comme suit :<\/p>\n<ul>\n<li>photographier l\u2019objet<\/li>\n<li>informer les cat\u00e9gories susmentionn\u00e9es<\/li>\n<li>r\u00e9diger une courte description contenant des informations suppl\u00e9mentaires<\/li>\n<li>conserver la documentation constitu\u00e9e dans un endroit s\u00e9curis\u00e9<\/li>\n<\/ul>\n<p>De nouvelles initiatives de traduction sont constamment encourag\u00e9es et entreprises. Actuellement, Object ID est disponible en\u00a0<a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_german.pdf\">allemand<\/a>,\u00a0<a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_english.pdf\">anglais,\u00a0<\/a><a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_arabic.pdf\">arabe<\/a>, <a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_chinese.pdf\">chinois<\/a>,\u00a0<a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_korean.pdf\">cor\u00e9en,\u00a0<\/a><a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_spanish.pdf\">espagnol,\u00a0<\/a><a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_french.pdf\">fran\u00e7ais<\/a>,\u00a0<a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_magyarul.pdf\">hongrois,\u00a0<\/a><a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_italiano.pdf\">italien,\u00a0<\/a><a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_dutch.pdf\">n\u00e9erlandais<\/a>,\u00a0<a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_norwegian.pdf\">norv\u00e9gien<\/a>,\u00a0<a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_polish.pdf\">polonais,\u00a0<\/a><a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_portuguese.pdf\">portugais<\/a>,\u00a0<a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_russian.pdf\">russe<\/a>, <a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_slovenian.pdf\">slovenian<\/a>,\u00a0<a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_czech.pdf\">tch\u00e8que\u00a0<\/a>and <a href=\"https:\/\/icom.museum\/wp-content\/uploads\/2020\/12\/ObjectID_ukrainian.pdf\">ukrainien<\/a>.<\/p>\n<div class=\"separator\">\n<p>Son utilit\u00e9<\/p>\n<\/div>\n<p>Le trafic illicite des biens culturels est maintenant largement reconnu comme \u00e9tant l&#8217;un des plus r\u00e9pandus en mati\u00e8re de crime international. Les sommes provenant des vols, de la contrefa\u00e7on, des demandes de ran\u00e7ons et des op\u00e9rations de cambriolages organis\u00e9s permettent souvent de financer d&#8217;autres activit\u00e9s criminelles et terroristes, les objets eux-m\u00eames servant \u00e0 la fois de monnaie d&#8217;\u00e9change entre criminels et de moyens de blanchiment d&#8217;argent.<\/p>\n<p>Les services charg\u00e9s de l\u2019application de la loi reconnaissent depuis longtemps l&#8217;importance d&#8217;une documentation de qualit\u00e9 dans la lutte contre le vol d&#8217;objets d&#8217;art. En effet, la documentation s&#8217;av\u00e8re cruciale lorsqu&#8217;il s&#8217;agit de prot\u00e9ger les objets culturels, car les officiers de police et les services douaniers peuvent rarement retrouver et retourner \u00e0 leurs propri\u00e9taires des objets qui n&#8217;ont \u00e9t\u00e9 ni photographi\u00e9s ni d\u00e9crits de fa\u00e7on ad\u00e9quate. Les forces de police et les services douaniers placent sous la garde des mus\u00e9es et minist\u00e8res de la culture un grand nombre d&#8217;objets d\u00e9couverts lors d&#8217;op\u00e9rations, mais qui ne peuvent \u00eatre rendus \u00e0 leurs propri\u00e9taires parce qu&#8217;il n&#8217;existe aucune documentation permettant d&#8217;identifier les victimes.<\/p>\n<div class=\"separator\">\n<p>Ses utilisateurs<\/p>\n<\/div>\n<p>La norme se d\u00e9veloppe et re\u00e7oit un soutien sans cesse croissant dans le monde entier.\u00a0La majorit\u00e9 des autorit\u00e9s douani\u00e8res des \u00c9tats membres de l&#8217;Union europ\u00e9enne utilisent la norme,\u00a0et la liste de contr\u00f4le de la norme Object ID a d\u00e9j\u00e0 \u00e9t\u00e9 traduite en 17 langues.<\/p>\n<p>Voici une liste non-exhaustive de participants qui promeuvent et utilisent la norme Object ID :<\/p>\n<ul>\n<li><a href=\"https:\/\/www.met.police.uk\/\">Art and Antiques Unit, Metropolitan Police, Londres<\/a><\/li>\n<li><a href=\"http:\/\/www.carabinieri.it\/multilingua\/fr\/le-carabinieri-tpc\">Le Commandement des Carabiniers pour la Protection du Patrimoine Culturel (TPC), Italie<\/a><\/li>\n<li><a href=\"https:\/\/ec.europa.eu\/culture\/cultural-heritage\/cultural-heritage-eu-policies\/protection-against-illicit-trafficking\">Commission europ\u00e9enne<\/a><\/li>\n<li><a href=\"https:\/\/www.interpol.int\/fr\/Infractions\/Atteintes-au-patrimoine-culturel\/Object-ID\">Interpol<\/a><\/li>\n<li><a href=\"https:\/\/www.getty.edu\">J. Paul Getty Trust, Los Angeles<\/a><\/li>\n<li><a href=\"https:\/\/www.tropenmuseum.nl\/nl\">Nationaal Museum van Wereldculturen (NMVW), Pay-Bas<\/a><\/li>\n<li><a href=\"http:\/\/www.wcoomd.org\/fr\/topics\/enforcement-and-compliance\/activities-and-programmes\/cultural-heritage-programme.aspx\">Organisation Mondiale des Douanes<\/a><\/li>\n<li><a href=\"https:\/\/fr.unesco.org\/fighttrafficking\">UNESCO<\/a><\/li>\n<\/ul>\n<div class=\"separator\">\n<p>Contexte historique<\/p>\n<\/div>\n<p>En 1993, le Getty Information Institute mit en \u0153uvre un projet de collaboration en vue de d\u00e9velopper une norme internationale de documentation permettant l&#8217;identification des objets culturels. Cette nouvelle norme fut con\u00e7ue en collaboration avec les forces de police, les services des douanes, les mus\u00e9es, le march\u00e9 de l&#8217;art, les experts, et le secteur des assurances.<\/p>\n<p>Les \u00e9l\u00e9ments qui composent la norme furent identifi\u00e9s par une combinaison de recherches de fond, d&#8217;entretiens et, le plus important, par une enqu\u00eate men\u00e9e dans le monde entier, sous la forme d&#8217;un questionnaire. Au total, plus de 1000 r\u00e9ponses afflu\u00e8rent de la part d&#8217;organisations de 84 pays. Les conclusions de cette enqu\u00eate-publi\u00e9es dans <em>Protecting Cultural Objects in the Global Information Society: The Making Of Object ID<\/em> d\u00e9montr\u00e8rent qu&#8217;un grand nombre de ces organisations \u00e9taient en accord sur le type d&#8217;informations qui sont n\u00e9cessaires pour d\u00e9crire de fa\u00e7on efficace des objets, dans le but de les identifier. La liste de contr\u00f4le de la norme Object ID est l&#8217;aboutissement de ce travail.<\/p>\n<p>La norme Object ID a \u00e9t\u00e9 lanc\u00e9e en 1997. Son utilisation est encourag\u00e9e par les services charg\u00e9s de l\u2019application de la loi tels que le FBI, Scotland Yard ou encore INTERPOL ; par des organisations comme l\u2019OMD, l&#8217;UNESCO, et par des mus\u00e9es, des organisations li\u00e9es au patrimoine culturel, des organisations li\u00e9es au march\u00e9 de l&#8217;art, et des compagnies d&#8217;assurance. Ayant \u00e9tabli la norme descriptive, le projet de l&#8217;Objet ID lutte aujourd&#8217;hui contre l&#8217;appropriation ill\u00e9gale des objets d&#8217;art favorisant la diffusion de la documentation sur les biens culturels et en rapprochant les organisations \u00e0 travers le monde qui peuvent encourager son application.<\/p>\n<p>De 1999 \u00e0 2004, le projet &#8216;Object ID \u00e9tait h\u00e9berg\u00e9 par le Council for the Prevention of Art Theft (CoPAT) au Royaume-Uni. En Octobre 2004, le Conseil international des mus\u00e9es (ICOM) a sign\u00e9 un accord avec le J. Paul Getty Trust pour promouvoir, partout dans le monde et de fa\u00e7on non exclusive, la norme Object ID du Getty. L&#8217;ICOM d\u00e9tient d\u00e9sormais les droits de licence pour promouvoir l&#8217;utilisation de cette norme aupr\u00e8s des professionnels des mus\u00e9es et, \u00e0 cette fin, organise des ateliers sur sa mise en \u0153uvre, en collaboration avec l&#8217;UNESCO, l&#8217;OMD et INTERPOL.<\/p>\n<div class=\"separator\">\n<p>Plus d&#8217;informations<\/p>\n<\/div>\n<p>Fanizzo, Kelly\u00a0Yasaitis, (2005) \u2018<a href=\"https:\/\/papers.ssrn.com\/sol3\/papers.cfm?abstract_id=1661974\">Object ID: A Model of Global Collaboration<\/a>\u2019 in\u00a0<em>Journal of Museum Management and Curatorship<\/em>, Vol. 20, No. 21<\/p>\n<p>Thornes, Robin with Dorrell, Peter and Lie, Henry (1999) <a href=\"https:\/\/www.getty.edu\/publications\/virtuallibrary\/0892365722.html\"><em>Introduction to Object ID: Guidelines for Making Records that Describe Art, Antiques and Antiquities<\/em><\/a> Getty Information Institute<\/p>\n<p>Thornes, Robin (1997) <em>Protecting Cultural Objects in the Global Information Society:\u00a0the\u00a0Making of Object ID <\/em>Getty Information Institute<\/p>\n<p>Thornes, Robin (1995) <em>Protecting Cultural Objects: A Preliminary Survey<\/em> Getty Art History Information Program<\/p>\n<p>Thornes, Robin and Bold, John (eds) (1998) <em>La Documentation du patrimoine culturel<\/em> Getty Information Institute<\/p>\n<p>UNESCO (2006) <a href=\"https:\/\/unesdoc.unesco.org\/ark:\/48223\/pf0000146118_fre\"><em>Mesures juridiques et pratiques contre le trafic illicite des biens culturels &#8211; Manuel de l&#8217;UNESCO<\/em><\/a> \u00a0Section des normes internationales, Division du patrimoine culturel, Paris<\/p>\n<p>Pour plus d&#8217;informations sur les normes de documentation des objets culturels, autres que Object ID, visitez le site Web de l&#8217;ICOM pour <a href=\"http:\/\/cidoc.mini.icom.museum\/fr\/\">CIDOC &#8211; le Comit\u00e9 International pour la Documentation de l\u2019ICOM<\/a>.<\/p>\n<p><u>Contact<\/u><\/p>\n<p>Pour en savoir plus sur Object ID, contactez:<\/p>\n<p>ICOM: Conseil international des mus\u00e9es,\u00a015 rue Lasson,\u00a075012 Paris France Tel: +33 1 47 34 05 00<\/p>\n<p>Courriel:\u00a0\u00a0<a href=\"mailto:illicit-taffic@icom.museum\">illicit-taffic@icom.museum<\/a><\/p>\n<p><u>MENTIONS LEGALES \/ MARQUE DE COMMERCE \/ COPYRIGHT<\/u><\/p>\n<p><strong>*Object ID \u2122 est une marque d\u00e9pos\u00e9e du J. Paul Getty Trust. Son utilisation est interdite sans la permission de: ICOM\u00a0: Conseil international des mus\u00e9es, 15 rue Lasson, 75012 Paris, France \u00a9 The J. Paul Getty Trust, 1999. Tous droits r\u00e9serv\u00e9s.<\/strong><\/p>\n<\/form>\n","protected":false},"excerpt":{"rendered":"<p>Object Identification (Object ID) est une norme de documentation internationalement reconnue, con\u00e7ue pour identifier et enregistrer les biens culturels. -Selectionner votre langue-arabechinoistch\u00e8quen\u00e9erlandaisanglaisfran\u00e7aisallemandhongroisitaliencor\u00e9ennorv\u00e9gienpolonaisportuguaisrusseslov\u00e8neespagnolukrainien &nbsp; Cette norme \u00e9tablit une proc\u00e9dure normalis\u00e9e pour documenter et d\u00e9crire les collections d&#8217;objets arch\u00e9ologiques, culturels et artistiques. En facilitant l&#8217;identification de ces objets, une description standardis\u00e9e peut aider \u00e0 leur r\u00e9cup\u00e9ration en [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"parent":7177,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-7203","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Object ID - International Council of Museums<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/icom.museum\/fr\/ressources\/normes-et-lignes-directrices\/object-id\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Object ID - International Council of Museums\" \/>\n<meta property=\"og:description\" content=\"Object Identification (Object ID) est une norme de documentation internationalement reconnue, con\u00e7ue pour identifier et enregistrer les biens culturels. -Selectionner votre langue-arabechinoistch\u00e8quen\u00e9erlandaisanglaisfran\u00e7aisallemandhongroisitaliencor\u00e9ennorv\u00e9gienpolonaisportuguaisrusseslov\u00e8neespagnolukrainien &nbsp; Cette norme \u00e9tablit une proc\u00e9dure normalis\u00e9e pour documenter et d\u00e9crire les collections d&#8217;objets arch\u00e9ologiques, culturels et artistiques. 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