{"id":7717,"date":"2018-06-26T09:10:32","date_gmt":"2018-06-26T09:10:32","guid":{"rendered":"http:\/\/icom.museum\/a-propos-de-licom\/history-of-icom\/"},"modified":"2022-09-01T11:25:06","modified_gmt":"2022-09-01T09:25:06","slug":"history-of-icom","status":"publish","type":"page","link":"https:\/\/icom.museum\/fr\/a-propos-de-licom\/history-of-icom\/","title":{"rendered":"Histoire de l&#8217;ICOM"},"content":{"rendered":"<h2>L\u2019ICOM a su, au fil des ann\u00e9es, s\u2019adapter aux pr\u00e9occupations des professionnels des mus\u00e9es du monde, en gardant \u00e0 l\u2019esprit sa mission principale. Plus de 60 ans apr\u00e8s sa cr\u00e9ation, l\u2019organisation incarne la communaut\u00e9 mondiale des mus\u00e9es.<\/h2>\n<h3>1946 &#8211; 1947 : La naissance<\/h3>\n<p>En moins d\u2019une ann\u00e9e, deux rencontres ont marqu\u00e9 la naissance de l\u2019ICOM. La premi\u00e8re s\u2019est tenue \u00e0 Paris pour la cr\u00e9ation du Conseil international des mus\u00e9es\u00a0 sur l&#8217;initiative de Chauncey J. Hamlin (\u00c9tats-Unis d&#8217;Am\u00e9rique) qui devint le premier pr\u00e9sident de l&#8217;organisation. La deuxi\u00e8me a eu lieu \u00e0 Mexico pour la premi\u00e8re Assembl\u00e9e g\u00e9n\u00e9rale de l\u2019organisation.<\/p>\n<div id=\"c73\" class=\"csc-default\">\n<div class=\"csc-textpic csc-textpic-intext-left-nowrap csc-textpic-border\">\n<h3 class=\"csc-textpic-text\">1947 &#8211; 1968 : La croissance<\/h3>\n<div class=\"csc-textpic-text\">Les sept conf\u00e9rences qui se sont tenues de 1948 \u00e0 1965 ont vu l\u2019ICOM se d\u00e9velopper peu \u00e0 peu. Les structures se renforcent, la repr\u00e9sentation g\u00e9ographique s\u2019accro\u00eet, mais surtout les activit\u00e9s prennent une consistance et une orientation de plus en plus professionnelles. Les deux derni\u00e8res conf\u00e9rences g\u00e9n\u00e9rales (\u00e0 La Haye et Amsterdam en 1962 et \u00e0 New York en 1965) montrent l\u2019ampleur des besoins et l\u2019enthousiasme des participants.<\/div>\n<div class=\"csc-textpic-text\">\n<div id=\"c74\" class=\"csc-default\">\n<p class=\"bodytext\">Les pr\u00e9occupations de ces ann\u00e9es concernent trois domaines essentiels : l\u2019\u00e9ducation par les mus\u00e9es, les expositions et la circulation internationale des biens culturels, la conservation et la restauration des biens culturels.<\/p>\n<\/div>\n<h3 id=\"c74\" class=\"csc-default\">1968 &#8211; 1977 : Les ann\u00e9es de crise et de transition<\/h3>\n<div class=\"csc-default\">\n<p>\u00c0 partir de 1968, les d\u00e9ficits financiers deviennent chroniques. L\u2019activit\u00e9, les projets et les d\u00e9penses augmentent alors que le montant des cotisations reste inchang\u00e9 pendant huit ans. En parall\u00e8le, se dessinent les nouveaux contours du mus\u00e9e et de son r\u00f4le dans la soci\u00e9t\u00e9 contemporaine. Au d\u00e9but des ann\u00e9es 1970, une s\u00e9rieuse remise en cause de l\u2019institution a failli mettre la vie de l\u2019ICOM en p\u00e9ril. La seule solution est d\u2019augmenter ses propres ressources, donc ses membres et leur cotisation, ce qui permet d\u2019en finir avec une situation injuste et d\u00e9pass\u00e9e. Les statuts sont r\u00e9vis\u00e9s. Les membres actifs \u00e9taient limit\u00e9s alors \u00e0 quinze par comit\u00e9 national.<\/p>\n<div id=\"c147\" class=\"csc-default\">\n<div class=\"csc-textpic csc-textpic-intext-left csc-textpic-border\">\n<div class=\"csc-textpic-text\">\n<p class=\"bodytext\">Depuis la Conf\u00e9rence g\u00e9n\u00e9rale de Grenoble en 1971, l\u2019id\u00e9e d\u2019accueillir des membres individuels sans distinction a fait son chemin. En 1974, la r\u00e9forme est adopt\u00e9e \u00e0 Copenhague : les membres actifs et associ\u00e9s ne forment alors plus qu\u2019une seule et m\u00eame cat\u00e9gorie. L\u2019esprit d\u00e9mocratique a pr\u00e9valu, tout membre de la profession dispose du droit de vote et peut \u00eatre \u00e9ligible.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"c147\" class=\"csc-default\">\n<div class=\"csc-textpic csc-textpic-intext-left csc-textpic-border\">\n<div class=\"csc-textpic-text\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-7651\" src=\"https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/42-1024x674.jpg\" alt=\"\" width=\"1024\" height=\"674\" srcset=\"https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/42-1024x674.jpg 1024w, https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/42-300x198.jpg 300w, https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/42-768x506.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><em>18 &#8211; 29 mai 1977, 11\u00e8me Conf\u00e9rence g\u00e9n\u00e9rale, Moscou-Leningrad, URSS<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<h3>1977 &#8211; 1989 : L\u2019ouverture sur le monde<\/h3>\n<p>Il faut attendre 1977 pour voir l\u2019ICOM d\u00e9ployer, avec de plus en plus de pertinence, ses activit\u00e9s dans les pays en voie de d\u00e9veloppement.<\/p>\n<div id=\"c426\" class=\"csc-default\">\n<div class=\"csc-textpic csc-textpic-intext-left csc-textpic-border\">\n<div class=\"csc-textpic-text\">\n<p class=\"bodytext\">Une r\u00e9solution, adopt\u00e9e \u00e0 Moscou en 1977, pr\u00e9voit l\u2019assistance aux pays en voie de d\u00e9veloppement d\u2019Asie, d\u2019Afrique et d\u2019Am\u00e9rique latine dans le domaine de la formation du personnel de mus\u00e9e et des restaurateurs, en tenant compte des besoins en personnels qualifi\u00e9s et sp\u00e9cialistes de la conservation et en permettant la promotion de la cr\u00e9ation et la diffusion de mat\u00e9riel didactique pour l\u2019enseignement de la conservation.<\/p>\n<p class=\"bodytext\">Quatre conf\u00e9rences\u00a0 d\u00e9cisives, en 1977, 1980, 1983 et 1986, permettent \u00e0 l\u2019ICOM de r\u00e9aliser deux objectifs strat\u00e9giques :<\/p>\n<ul>\n<li>La mise au point d\u2019une politique des mus\u00e9es au service de la soci\u00e9t\u00e9 et de son d\u00e9veloppement ;<\/li>\n<li>l\u2019adoption du Code de d\u00e9ontologie, un texte de r\u00e9f\u00e9rence.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"c426\" class=\"csc-default\">\n<div class=\"csc-textpic csc-textpic-intext-left csc-textpic-border\">\n<div class=\"csc-textpic-text\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-7654\" src=\"https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/New5-1024x730.jpg\" alt=\"\" width=\"1024\" height=\"730\" srcset=\"https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/New5-1024x730.jpg 1024w, https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/New5-300x214.jpg 300w, https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/New5-768x547.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><em>26 octobre &#8211; 4 novembre 1986, 14e Conf\u00e9rence g\u00e9n\u00e9rale, Buenos Aires, Argentine<\/em><\/p>\n<h3>1989 &#8211; 1996 : L\u2019ICOM efficace et universel<\/h3>\n<p>La situation financi\u00e8re de l\u2019ICOM s\u2019assainit et le d\u00e9ficit se r\u00e9sorbe en 1994. La politique de lev\u00e9es de fonds ouvre des perspectives prometteuses. La notori\u00e9t\u00e9 de l\u2019ICOM et son action mondiale lui assurent une v\u00e9ritable repr\u00e9sentativit\u00e9, juste aboutissement et heureuse r\u00e9compense d\u2019un demi-si\u00e8cle d\u2019efforts.<\/p>\n<div id=\"c428\" class=\"csc-default\">\n<div class=\"csc-textpic csc-textpic-intext-left csc-textpic-border\">\n<div class=\"csc-textpic-text\">\n<p class=\"bodytext\">\u00c0 l\u2019heure o\u00f9 de nombreuses organisations internationales recherchent un second souffle et sont confront\u00e9es \u00e0 des probl\u00e8mes financiers et structurels, l\u2019ICOM r\u00e9ussit \u00e0 conserver l\u2019universalit\u00e9, la souplesse et l\u2019imagination qui lui permettent de r\u00e9pondre aux exigences de la profession.<\/p>\n<p class=\"bodytext\">Les r\u00e9solutions de ces derni\u00e8res assembl\u00e9es g\u00e9n\u00e9rales tracent la voie d\u2019une politique du patrimoine conforme \u00e0 l\u2019id\u00e9e que le d\u00e9veloppement \u00e9conomique est ins\u00e9parable des facteurs culturels.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"c428\" class=\"csc-default\">\n<div class=\"csc-textpic csc-textpic-intext-left csc-textpic-border\">\n<div class=\"csc-textpic-text\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-7657\" src=\"https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/82-1024x751.jpg\" alt=\"\" width=\"1024\" height=\"751\" srcset=\"https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/82-1024x751.jpg 1024w, https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/82-300x220.jpg 300w, https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/82-768x564.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><em>18\u00e8me Assembl\u00e9e g\u00e9n\u00e9rale de l&#8217;ICOM, Stavanger, Norv\u00e8ge, 7 juillet 1995<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<h3>1996 &#8211; 2004 : Une nouvelle \u00e8re d\u2019actions<\/h3>\n<p>\u00c0 partir de 1996, l\u2019ICOM intensifie son action relative \u00e0 la lutte contre le trafic illicite des biens culturels avec la cr\u00e9ation des Listes Rouges et de la s\u00e9rie des Cent objets disparus. La pr\u00e9vention des risques li\u00e9s aux catastrophes naturelles ou caus\u00e9es par l\u2019homme s\u2019acc\u00e9l\u00e8re avec le Programme d\u2019urgence dans les mus\u00e9es (MEP) lanc\u00e9 en 2002 et la participation de l\u2019ICOM au Comit\u00e9 international du Bouclier Bleu (ICBS).<\/p>\n<div id=\"c431\" class=\"csc-default\">\n<div class=\"csc-textpic csc-textpic-intext-left csc-textpic-border\">\n<div class=\"csc-textpic-text\">\n<p class=\"bodytext\">L\u2019ICOM prend ainsi un nouveau d\u00e9part, toujours plus ancr\u00e9 dans la communaut\u00e9 mus\u00e9ale mondiale et de fait plus proche de la soci\u00e9t\u00e9 civile.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"c431\" class=\"csc-default\">\n<div class=\"csc-textpic csc-textpic-intext-left csc-textpic-border\">\n<div class=\"csc-textpic-text\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-7660\" src=\"https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/ICOM-98-1024x682.jpg\" alt=\"\" width=\"1024\" height=\"682\" srcset=\"https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/ICOM-98-1024x682.jpg 1024w, https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/ICOM-98-300x200.jpg 300w, https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/ICOM-98-768x512.jpg 768w, https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/ICOM-98.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><em>18\u00e8me Conf\u00e9rence g\u00e9n\u00e9rale de l&#8217;ICOM, 1998, Melbourne, Australie<\/em><\/p>\n<h3>2004 \u00e0 nos jours : L\u2019ouverture sur l\u2019Asie<\/h3>\n<p>Afin de d\u00e9finir sa nouvelle strat\u00e9gie, l\u2019ICOM cr\u00e9e un groupe de travail sur la r\u00e9forme de l\u2019organisation et produit un rapport intitul\u00e9\u00a0<i style=\"font-size: 16px;\">Des outils pour r\u00e9nover l\u2019organisation<\/i><span style=\"font-size: 16px;\">. Manuel pratique destin\u00e9 aux professionnels publi\u00e9 par l\u2019ICOM,\u00a0<\/span><i style=\"font-size: 16px;\">Comment g\u00e9rer un mus\u00e9e<\/i><span style=\"font-size: 16px;\">\u00a0devient un outil de r\u00e9f\u00e9rence pour la communaut\u00e9 mus\u00e9ale mondiale dans le domaine de la formation.<\/span><\/p>\n<div id=\"c434\" class=\"csc-default\">\n<div class=\"csc-textpic csc-textpic-intext-left csc-textpic-border csc-textpic-equalheight\">\n<div class=\"csc-textpic-text\">\n<p class=\"bodytext\">Les actions pour la protection du patrimoine culturel se poursuivent avec notamment la participation active de l\u2019ICOM au Bouclier Bleu et l\u2019administration d\u2019Object ID d\u00e9sormais d\u00e9l\u00e9gu\u00e9e \u00e0 l\u2019ICOM. La protection du patrimoine culturel immat\u00e9riel fait d\u00e9sormais partie int\u00e9grante du programme d\u2019activit\u00e9s de l\u2019ICOM. Autant d\u2019\u00e9l\u00e9ments qui contribuent au rayonnement institutionnel de l\u2019ICOM.<\/p>\n<p class=\"bodytext\">D\u00e8s 2004, en tenant pour la premi\u00e8re fois une Conf\u00e9rence g\u00e9n\u00e9rale en Asie (S\u00e9oul, R\u00e9publique de Cor\u00e9e), l\u2019ICOM insiste pour une plus grande inclusion du continent asiatique. 2010 conforte cette ouverture \u00e0 travers la pr\u00e9sence de l\u2019organisation \u00e0 l\u2019Exposition universelle et la tenue de la conf\u00e9rence g\u00e9n\u00e9rale \u00e0 Shanghai. Apr\u00e8s les Conf\u00e9rences G\u00e9n\u00e9rales de Rio en 2013 et de Milan en 2016, l&#8217;ICOM continue \u00e0 renforcer sa pr\u00e9sence en Asie aujourd&#8217;hui, notamment avec la prochaine Conf\u00e9rence G\u00e9n\u00e9rale de 2019 \u00e0 Kyoto, Japon.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"c434\" class=\"csc-default\">\n<div class=\"csc-textpic csc-textpic-intext-left csc-textpic-border csc-textpic-equalheight\">\n<div class=\"csc-textpic-text\">\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-7663\" src=\"https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/New11-1024x683.jpg\" alt=\"\" width=\"1024\" height=\"683\" srcset=\"https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/New11-1024x683.jpg 1024w, https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/New11-300x200.jpg 300w, https:\/\/icom.museum\/wp-content\/uploads\/2018\/06\/New11-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019ICOM a su, au fil des ann\u00e9es, s\u2019adapter aux pr\u00e9occupations des professionnels des mus\u00e9es du monde, en gardant \u00e0 l\u2019esprit sa mission principale. Plus de 60 ans apr\u00e8s sa cr\u00e9ation, l\u2019organisation incarne la communaut\u00e9 mondiale des mus\u00e9es. 1946 &#8211; 1947 : La naissance En moins d\u2019une ann\u00e9e, deux rencontres ont marqu\u00e9 la naissance de l\u2019ICOM. [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"parent":6992,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-7717","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Histoire de l&#039;ICOM - International Council of Museums<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/icom.museum\/fr\/a-propos-de-licom\/history-of-icom\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Histoire de l&#039;ICOM - International Council of Museums\" \/>\n<meta property=\"og:description\" content=\"L\u2019ICOM a su, au fil des ann\u00e9es, s\u2019adapter aux pr\u00e9occupations des professionnels des mus\u00e9es du monde, en gardant \u00e0 l\u2019esprit sa mission principale. Plus de 60 ans apr\u00e8s sa cr\u00e9ation, l\u2019organisation incarne la communaut\u00e9 mondiale des mus\u00e9es. 1946 &#8211; 1947 : La naissance En moins d\u2019une ann\u00e9e, deux rencontres ont marqu\u00e9 la naissance de l\u2019ICOM. 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