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Liste rouge des biens culturels irakiens en péril – Mise à jour 2015

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RedListIraq_EN
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RedListIraq_DE2
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RedListIraq_2017_TR
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RedListIraq-AR2
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ListeRouge_Irak_FR
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RL ICOM IRAK SUEDOIS-SVENSKA 2019 Pages

ICOM sur les réseaux sociaux

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500

#ICOMPrague2022

We were excited to discover what you thought of #museums of today and tomorrow 🌿

Check out what we have found out!👐

#ICOMGeneralConference

View

Sep 16

#ICOMPrague2022

We were excited to discover what you thought of #museums of today and tomorrow 🌿

Check out what we have found out!👐

#ICOMGeneralConference

#ICOMVoices 📣out now
"The ‘emotional turn’ in museum practice" by Marzia Varutti

🔭All museums engender #emotions: what is represented in an exhibition may influence what visitors will know, think, remember and do – as a consequence of how they felt while experiencing it.

#Museums have aimed to affect visitors since the emergence of 16th century cabinets of curiosity and their wondrous contents. In the 19th century, the Great Exhibitions – large fairs displaying the cultural and industrial achievements of nations – amazed visitors with the scale, ingenuity and exoticism of their displays; these emotional reactions served as a basis for museums to instil, envision, and materialise ideologies of nationalism, imperialism and modernity. Contemporary museums continue to leverage the establishment of emotional connections with visitors through carefully curated exhibitions.

In this article, Marzia Varutti presents 3️⃣ complementary perspectives on how emotions are transforming museum practice, by provoking the rethinking of exhibition design, institutional re-assessment, and new ideas and approaches engendered by research.

🔆Link in bio

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Sep 15

#ICOMVoices 📣out now
"The ‘emotional turn’ in museum practice" by Marzia Varutti

🔭All museums engender #emotions: what is represented in an exhibition may influence what visitors will know, think, remember and do – as a consequence of how they felt while experiencing it.

#Museums have aimed to affect visitors since the emergence of 16th century cabinets of curiosity and their wondrous contents. In the 19th century, the Great Exhibitions – large fairs displaying the cultural and industrial achievements of nations – amazed visitors with the scale, ingenuity and exoticism of their displays; these emotional reactions served as a basis for museums to instil, envision, and materialise ideologies of nationalism, imperialism and modernity. Contemporary museums continue to leverage the establishment of emotional connections with visitors through carefully curated exhibitions.

In this article, Marzia Varutti presents 3️⃣ complementary perspectives on how emotions are transforming museum practice, by provoking the rethinking of exhibition design, institutional re-assessment, and new ideas and approaches engendered by research.

🔆Link in bio

⏳Deadline: September 16, 2022
Don't miss your chance to apply for #ICOM_Training🤩🌍

📖In November 2022 museum professionals from Nigeria will have the opportunity to participate in a training programme to develop a holistic understanding of the functions of a museum and identify and recognise the need to promote participatory and interdisciplinary projects.

The objective of this training is to offer museum professionals different strategies and tools that contemporary Nigerian museums can use to protect and communicate their country’s heritage in a participatory manner.

📍This programme will take place in Lagos, Nigeria, from 21 to 25 November 2022, and a series of grants will be offered to 25-30 participants.

⏰Link in bio

View

Sep 14

⏳Deadline: September 16, 2022
Don't miss your chance to apply for #ICOM_Training🤩🌍

📖In November 2022 museum professionals from Nigeria will have the opportunity to participate in a training programme to develop a holistic understanding of the functions of a museum and identify and recognise the need to promote participatory and interdisciplinary projects.

The objective of this training is to offer museum professionals different strategies and tools that contemporary Nigerian museums can use to protect and communicate their country’s heritage in a participatory manner.

📍This programme will take place in Lagos, Nigeria, from 21 to 25 November 2022, and a series of grants will be offered to 25-30 participants.

⏰Link in bio

We are pleased to announce the publication of the new Dictionary of Museology (French edition), jointly published by Armand Colin (Dunod) and ICOM, and edited by François Mairesse.

The Dictionary of Museology is the product of several years of research and contributions by an international team of experts and authors. More than 1,200 entries, arranged into seven themes, analyse and contextualise terms used in the museum field, from the most academic (exhibition, artefact, intangible heritage, cabinet of curiosity) to the most contemporary (NFT, memory spots, cybermuseum…).

We hope that the Dictionary of Museology will allow its readers to use a common language, accessible to museum professionals of all disciplines and cultures.

🏛️link in bio

#DictionaryOfMuseology

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Sep 7

We are pleased to announce the publication of the new Dictionary of Museology (French edition), jointly published by Armand Colin (Dunod) and ICOM, and edited by François Mairesse.

The Dictionary of Museology is the product of several years of research and contributions by an international team of experts and authors. More than 1,200 entries, arranged into seven themes, analyse and contextualise terms used in the museum field, from the most academic (exhibition, artefact, intangible heritage, cabinet of curiosity) to the most contemporary (NFT, memory spots, cybermuseum…).

We hope that the Dictionary of Museology will allow its readers to use a common language, accessible to museum professionals of all disciplines and cultures.

🏛️link in bio

#DictionaryOfMuseology

ICOM is offering a Special Grants round in response to the war in #Ukraine and its impacts on neighbouring countries. Open to countries which are supporting, or wanting to support, Ukrainian #museums and #museumprofessionals.

🕒Deadline: 14 Oct

🗓️Join our dedicated Q&A Session on 20 Septembre 2022, 14:00- 15:00 (CET)

How to apply, Q&A Registration form (EN, FR, ES) 👉link in bio

#InternationalCouncilofMuseums

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Sep 5

ICOM is offering a Special Grants round in response to the war in #Ukraine and its impacts on neighbouring countries. Open to countries which are supporting, or wanting to support, Ukrainian #museums and #museumprofessionals.

🕒Deadline: 14 Oct

🗓️Join our dedicated Q&A Session on 20 Septembre 2022, 14:00- 15:00 (CET)

How to apply, Q&A Registration form (EN, FR, ES) 👉link in bio

#InternationalCouncilofMuseums

📣The 17th volume of the International Journal of Intangible Heritage has been published online🤳

This volume explores themes such as folklore and mythology🕵️‍♀️, festivals and rituals📜, museology, craft, and aspects of the Convention for the Safeguarding of Intangible Cultural Heritage, through diverse contributions from 🇧🇪Belgium, 🇰🇭Cambodia, 🇨🇳China, 🇮🇳India, 🇰🇷Korea, 🇵🇪Peru, 🇵🇭the Philippines, 🇿🇦South Africa, 🇪🇸Spain and 🇹🇷Turkey among others.

📚link in bio

View

Sep 1

📣The 17th volume of the International Journal of Intangible Heritage has been published online🤳

This volume explores themes such as folklore and mythology🕵️‍♀️, festivals and rituals📜, museology, craft, and aspects of the Convention for the Safeguarding of Intangible Cultural Heritage, through diverse contributions from 🇧🇪Belgium, 🇰🇭Cambodia, 🇨🇳China, 🇮🇳India, 🇰🇷Korea, 🇵🇪Peru, 🇵🇭the Philippines, 🇿🇦South Africa, 🇪🇸Spain and 🇹🇷Turkey among others.

📚link in bio

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Avatar ICOM @icomofficiel ·

2m

🔈 #ICOMVoices

"‘La Staffetta della Memoria’: Keeping a Participatory Project Afloat in Times of Crisis" by Paola E. Boccalatte. The Museum of Resistance in Turin, Italy, explores new ways to create a participatory exhibition online. 🇮🇹👐
https://ecs.page.link/VDWbM

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Avatar ICOM @icomofficiel ·

8h

After years of outcry, institutions like the Harvard Art Museums @harvartmuseums and London's Victoria & Albert Museum @V_and_A refuse to remove associations with the Sackler family I @observer 🖇️https://ecs.page.link/RNh8M

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Avatar University Museums @umac_icom ·

18 Sep

CONGRATULATIONS!
The 2022 UMAC Award was won by the Art Museum, The Chinese University of Hong Kong, for their project: Time Travel・Hong Kong. The Award was accepted by Josh Yiu, Director of the Art Museum, at an online live ceremony held on 18 September.
https://youtu.be/Tj25wca1KbY

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Avatar ICOM @icomofficiel ·

10h

From crumbling rock art to exposed ancestral remains, #ClimateChange is ravaging precious Indigenous #heritage. These examples of loss are just the beginning, unless we act. I @ConversationUS 🖱️ https://ecs.page.link/sx7zx

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Avatar ICOM @icomofficiel ·

11h

📯Les #musées à l’heure du féminisme: de plus en plus d’établissements culturels adoptent de nouvelles pratiques afin d’améliorer la représentation des femmes I @JDAofficiel 🔎 https://ecs.page.link/dN3xb

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Avatar ICOM @icomofficiel ·

13h

🇧🇪Brussels launches pilot to prescribe free #museum visits for patients: “The project has a double objective: to promote access to culture for a vulnerable public & to have an additional tool in the context of therapeutic monitoring” I @TravelTomorrowX 🖱️ https://ecs.page.link/wMCBR

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Avatar ICOM @icomofficiel ·

16h

As New York #museums acknowledge Nazi-#looted artwork, possible disagreement is raised I @YahooNews 🔗 https://ecs.page.link/T8kKD

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Avatar ICOM México @icommx ·

23h

SESIÓN DE PREGUNTAS Y RESPUESTAS sobre las subvenciones especiales del ICOM
ICOM
@IcomOfficiel
Apoyo a #Museums y Profesionales de Museos en/desde #Ukraine
20 de septiembre de 2022, 14:00- 15:00 (CET)
Para participar regístrese: https://ecs.page.link/X7zFV

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Avatar ICOM @icomofficiel ·

19 Sep

🇳🇿Tūhura Otago Museum @OtagoMuseum will return six Warumungu objects to their traditional owners in the Northern Territory more than a century after they were first taken I @1NewsNZ 🔗 https://ecs.page.link/34xpC

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Avatar ICOM @icomofficiel ·

19 Sep

🇩🇪Berlin #museum approaches ethnological collection in new ways @humboldtforum I @washingtonpost 💬 https://ecs.page.link/4mZBx

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