All news

March 31, 2021

Museums and New Business Models

ICOM Voices

March 19, 2021

Tokyo 2020 in 2021 The Impact of Postponing the Olympic Games on a Museum’s Programming

ICOM Voices

February 27, 2021

Partnering in a Pandemic: Prairie State Museums Project and Local Journalism

ICOM Voices

February 19, 2021

A Strange Queer Body: the Museum of Sexual Diversity in São Paulo, Brazil

ICOM Voices

January 30, 2021

The Value of Digital Conversations in 2020

ICOM Voices

January 19, 2021

Colonisation and Slavery: For a Necessary and Rightful Place in Heritage and Museums

ICOM Voices

December 28, 2020

Reinventing Casa Batlló’s management post Covid-19

ICOM Voices

December 4, 2020

‘La Staffetta della Memoria’: Keeping a Participatory Project Afloat in Times of Crisis

ICOM Voices

November 19, 2020

Community Museums as Cultural First Responders

ICOM Voices

November 4, 2020

Sustainability Management in Museums: A new Approach to Implementing the Sustainable Development Goals

ICOM Voices

October 14, 2020

Co-Creation During the COVID-19 Lockdown: My Wachau – Multiple Voices on the World Heritage Site

ICOM Voices

September 30, 2020

Responding to COVID-19: Agile Interpretation at English Heritage

ICOM Voices

September 21, 2020

As Personal as Viral: Reinventing Museum Communication

ICOM Voices

August 27, 2020

Surveying and Addressing COVID-19’s Impact on Museums in Singapore

ICOM Voices

August 12, 2020

Museum Education and Learning: The Forgotten Professions?

ICOM Voices

July 8, 2020

Art Professionals and the Frenzy of Digitisation

ICOM Voices

July 1, 2020

Reverse Inclusion During Lockdown. The Experience of the Pushkin State Museum of Fine Arts, Moscow

ICOM Voices

June 21, 2020

Community Responsive Programming at the Myseum of Toronto during COVID-19

ICOM Voices

June 6, 2020

How Museums in Botswana are Contributing to the Fight Against Climate Change

ICOM Voices

May 28, 2020

Community Engagement during COVID-19 at the House of Memory Museum, Medellín

ICOM Voices

  • Red Lists

    The Red Lists classify the endangered categories of archaeological objects or works of art in the most vulnerable areas of the world, in order to prevent them being sold or illegally exported.

  • Publications

    Through its network, ICOM publishes or takes part in the publication of major books for the international museum community every year.