All news

August 31, 2023

Portraying feminist beliefs and transcending cultural norms: Korean women artists’ reinterpretation of songs traditionally performed by men

ICOM Voices

August 28, 2023

Decolonising publications: Reflecting on the meaning of peer in ‘peer review’

ICOM Voices

August 22, 2023

The Digital Leap: Museums Adapting to COVID-19 and Beyond

ICOM Voices

July 26, 2023

Un Museo para Mí: A ‘Pocket Museum’

ICOM Voices

July 17, 2023

Museums as Learning Laboratories for Competency Development in University Alumni

ICOM Voices

June 22, 2023

Accessible to all: measures that benefit all museumgoers

ICOM Voices

May 25, 2023

The Importance of Small Local Museums and Collections – A Look at the Heritage Collection of the City of Novska, Croatia

ICOM Voices

May 4, 2023

The Museum and the environment: archives of the Lourmarin symposium, 1972

ICOM Voices

April 28, 2023

The Power of Co-curation: The Kamcing Tribe and the National Museum of Prehistory

ICOM Voices

March 20, 2023

The Mini-Guislain Toolkit: A pre-visit service for visitors with mental impairments

ICOM Voices

February 21, 2023

No Hidden Treasures!

ICOM Voices

January 26, 2023

The Corridors and Galleries of the Museo de La Plata: Privileged Spaces in which to Rethink the Past and Present of Indigenous Peoples

ICOM Voices

January 16, 2023

The sustainability star: a model for museums

ICOM Voices

December 13, 2022

#ICOM75 x ICOM Voices: 1947 – 2022: the educational role of museums in the spotlight

ICOM Voices

November 4, 2022

Museums that created the 22nd century: A letter from a future museumgoer

ICOM Voices

October 7, 2022

ICOM Voices – Historical Awareness and Preservation of Social Memories

ICOM Voices

September 14, 2022

The ‘emotional turn’ in museum practice

ICOM Voices

August 31, 2022

Renewing museum meanings and action with intangible cultural heritage

ICOM Voices

July 28, 2022

Reimagining and Mobilising Museums for Climate Action

ICOM Voices

June 29, 2022

The Museum of Life: A Multi-Voiced Narrative Addressing Universal Values

ICOM Voices

  • Red Lists

    The Red Lists classify the endangered categories of archaeological objects or works of art in the most vulnerable areas of the world, in order to prevent them being sold or illegally exported.

  • Publications

    Through its network, ICOM publishes or takes part in the publication of major books for the international museum community every year.