All news

January 24, 2024

Interactions with Kyrgyzstan’s art structures: the Bishkek School of Contemporary Art

ICOM Voices

January 16, 2024

ICOM Enhances Accessibility with AI-Powered Voice Overs for ICOM Voices Articles

ICOM Voices

December 18, 2023

A Tale of Two Cities: the Tate Liverpool and the Guggenheim Helsinki in the Satellite Museum Landscape

ICOM Voices

November 29, 2023

Improving Mental Health through Museums: Italy’s Exploration of the Healing Potential of Museum Spaces

ICOM Voices

November 16, 2023

Recommendations on how to write about non-binary artists

ICOM Voices

October 31, 2023

When a City Becomes an Immersive Museum for Biodiversity: Experiences at the COP15 in Montreal

ICOM Voices

October 16, 2023

The Collections and the Coup: 
How Brazilian democratic institutions safeguarded their historical and artistic heritage following an attempted coup

ICOM Voices

September 29, 2023

Digital technologies for citizen curation in museums: two case studies from the SPICE project

ICOM Voices

September 19, 2023

Letter to the museum world

ICOM Voices

August 31, 2023

Portraying feminist beliefs and transcending cultural norms: Korean women artists’ reinterpretation of songs traditionally performed by men

ICOM Voices

August 28, 2023

Decolonising publications: Reflecting on the meaning of peer in ‘peer review’

ICOM Voices

August 22, 2023

The Digital Leap: Museums Adapting to COVID-19 and Beyond

ICOM Voices

July 26, 2023

Un Museo para Mí: A ‘Pocket Museum’

ICOM Voices

July 17, 2023

Museums as Learning Laboratories for Competency Development in University Alumni

ICOM Voices

June 22, 2023

Accessible to all: measures that benefit all museumgoers

ICOM Voices

May 25, 2023

The Importance of Small Local Museums and Collections – A Look at the Heritage Collection of the City of Novska, Croatia

ICOM Voices

May 4, 2023

The Museum and the environment: archives of the Lourmarin symposium, 1972

ICOM Voices

April 28, 2023

The Power of Co-curation: The Kamcing Tribe and the National Museum of Prehistory

ICOM Voices

March 20, 2023

The Mini-Guislain Toolkit: A pre-visit service for visitors with mental impairments

ICOM Voices

February 21, 2023

No Hidden Treasures!

ICOM Voices

  • Red Lists

    The Red Lists classify the endangered categories of archaeological objects or works of art in the most vulnerable areas of the world, in order to prevent them being sold or illegally exported.

  • Publications

    Through its network, ICOM publishes or takes part in the publication of major books for the international museum community every year.