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Red Lists

The Red Lists classify the endangered categories of archaeological objects or works of art in the most vulnerable areas of the world, in order to prevent them being sold or illegally exported.

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What do young people think about history in Panama?

The Musée National de la Marine in Port-Louis, France: Between Historic Site and Museum

Museums & video games: two projects developed in Argentina

The use of Indigenous languages in exhibitions: A reflection on Taiwan’s museums

Connecting students with Bolivia’s biodiversity

Call for papers : ICOM Voices: Human rights, social issues and ethics

Museum Marketing, Communications & Audience Engagement Glossary

Professional training at the centre of museological development: Training Workshop for Museum Professionals from Latin America and the Caribbean

Interactions with Kyrgyzstan’s art structures: the Bishkek School of Contemporary Art

ICOM Enhances Accessibility with AI-Powered Voice Overs for ICOM Voices Articles

A Tale of Two Cities: the Tate Liverpool and the Guggenheim Helsinki in the Satellite Museum Landscape

Improving Mental Health through Museums: Italy’s Exploration of the Healing Potential of Museum Spaces

Recommendations on how to write about non-binary artists

When a City Becomes an Immersive Museum for Biodiversity: Experiences at the COP15 in Montreal

The Collections and the Coup:  How Brazilian democratic institutions safeguarded their historical and artistic heritage following an attempted coup

Digital technologies for citizen curation in museums: two case studies from the SPICE project

Letter to the museum world

Portraying feminist beliefs and transcending cultural norms: Korean women artists’ reinterpretation of songs traditionally performed by men

Decolonising publications: Reflecting on the meaning of peer in ‘peer review’

The Digital Leap: Museums Adapting to COVID-19 and Beyond

Red Lists

Publications

All news

What do young people think about history in Panama?

The Musée National de la Marine in Port-Louis, France: Between Historic Site and Museum

Museums & video games: two projects developed in Argentina

The use of Indigenous languages in exhibitions: A reflection on Taiwan’s museums

Connecting students with Bolivia’s biodiversity

Call for papers : ICOM Voices: Human rights, social issues and ethics

Museum Marketing, Communications & Audience Engagement Glossary

Professional training at the centre of museological development: Training Workshop for Museum Professionals from Latin America and the Caribbean

Interactions with Kyrgyzstan’s art structures: the Bishkek School of Contemporary Art

ICOM Enhances Accessibility with AI-Powered Voice Overs for ICOM Voices Articles

A Tale of Two Cities: the Tate Liverpool and the Guggenheim Helsinki in the Satellite Museum Landscape

Improving Mental Health through Museums: Italy’s Exploration of the Healing Potential of Museum Spaces

Recommendations on how to write about non-binary artists

When a City Becomes an Immersive Museum for Biodiversity: Experiences at the COP15 in Montreal

The Collections and the Coup: How Brazilian democratic institutions safeguarded their historical and artistic heritage following an attempted coup

Digital technologies for citizen curation in museums: two case studies from the SPICE project

Letter to the museum world

Portraying feminist beliefs and transcending cultural norms: Korean women artists’ reinterpretation of songs traditionally performed by men

Decolonising publications: Reflecting on the meaning of peer in ‘peer review’

The Digital Leap: Museums Adapting to COVID-19 and Beyond

Red Lists

Publications

The Collections and the Coup:  How Brazilian democratic institutions safeguarded their historical and artistic heritage following an attempted coup